Works

photography
paintings
drawings
watercolors
prints
sculptures
Mixed Media

Bed of Pansies with Trunk of Birch Tree, 1999

Imbue Print

Edition of 5 (plus 3 Artist's Proofs)

Sheet 111.8 × 162.6 cm (44 × 64 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Seville, 2018

Imbue Print on Baryta paper

Edition Edition of 8 (plus 3 Artist's Proofs)

Sheet 71 × 51 cm (28 × 20.1 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Mikrokosmos - Entdeckungen jenseits des Blickes, Gallery KOKO, Rottach-Egern, 2026

Last Summer, Bildhalle, Zurich, 2019

Publications

Last Summer, Steidl 2021

Shy Sky, 2011

C-Print

Edition Edition 1 of 3 (plus 1 Artist’s Proof)

Sheet 164 × 126 cm (64.6 × 49.6 in)

Exhibitions

Mikrokosmos - Entdeckungen jenseits des Blickes, Gallery KOKO, Rottach-Egern, 2026

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Splash, Camera Work, Berlin, 2013/2014

Publications

Splash, Steidl 2014

Four Tangerines, 2021

C-Print on Fujicolor Crystal Archive Paper

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 60 × 47 cm (23.6 × 18.5 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Shade, 2003

C-Print

Edition 1 of 1

Sheet 37.3 × 55.9 cm (14.7 × 22 in)

Exhibitions

Mikrokosmos - Entdeckungen jenseits des Blickes, Gallery KOKO, Rottach-Egern, 2026

Publications

AISA – Images from an Imaginary Continent, Edition Judin 2005

Tangerine in a Bubble of a Glass of Sparkling Water, 2021

Imbue Print on Baryta paper

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 35.5 × 28.2 cm (14 × 11.1 in)

Exhibitions

In Other Words, Bildhalle, Zurich, 2022

Overseas, 2021

Imbue Print on Baryta paper

Edition of 3 (plus 2 Artist’s Proofs)

Sheet 151 × 219.3 cm (59.5 × 86.3 in)

Exhibitions

Art Salon, Bildhalle, Zurich, 2022

Ray-Ban Series, Four, 2006

Imbue Print on Baryta paper

Edition of 8 (plus 2 Artist’s Proofs)

Sheet 40.2 × 51 cm (15.8 × 20.1 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Bildhalle, Art Salon, Zurich, 2022

Last Summer, Bildhalle, Zurich, 2019

Publications

Last Summer, Steidl 2021

Lake Obernberg, 2021

Imbue Print on Baryta paper

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 140.7 × 124.5 cm (55.4 × 49 in)

Exhibitions

In Other Words, Bildhalle, Zurich, 2022

Full Bloom, 2021

Imbue Print on Baryta paper

Edition of 7 (plus 2 Artist’s Proofs)

Sheet 51 × 40.2 cm (20.1 × 15.8 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

In Other Words, Bildhalle, Zurich, 2022

Publications

Imagine there were only Sundays, Steidl, 2026

Green Tea, 2020

C-Print on Fujicolor Crystal Archive Paper

Edition of 7 (plus 2 Artist’s Proofs)

Sheet 48 × 37.5 cm (18.9 × 14.8 in)

Exhibitions

In Other Words, Bildhalle, Zurich, 2022

Sunday, 2022

C-Print on Fujicolor Crystal Archive Paper

Edition of 8 (plus 3 Artist’s Proofs)

Sheet 81 × 63 cm (31.9 × 24.8 in)

Exhibitions

In Other Words, Bildhalle, Zurich, 2022

Giglio, 2019

C-Print on Fujicolor Crystal Archive Paper

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 118 × 154 cm (46.5 × 60.6 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

In Other Words, Bildhalle, Zurich, 2022

Publications

Imagine there were only Sundays, Steidl, 2026

The Greeks distinguished between measured time and moments existing outside of ordinary time. Summer afternoons somewhat belong to the latter and seem to exist only briefly before becoming memories. Speaking of memory, mine is not so interested in accuracy; it prefers atmosphere.

When I'm at my home in Italy, I sometimes take the boat to Giglio. After swimming in the beautiful coves, I love to have lunch with family and friends in a restaurant right at the port. Below the terrace is a sandy beach. When the children are bored with the adults, they get up and go play in the water.

Desk Phone, 2017

C-Print

Edition of 8 (plus 2 Artist’s Proofs)

Sheet 50 × 36 cm (19.7 × 14.2 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

Early Bird, 2021

Imbue Print on Baryta paper

Edition of 8 (plus 3 Artist's Proofs)

Sheet 71 × 56 cm (28 × 22 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026
Art Salon, Bildhalle, Zurich, 2022

Publications

Imagine there were only Sundays, Steidl, 2026

One day, when visiting Vevey by the wonderful Lake Geneva, I entered a restaurant. Because I didn't want to ruin the setting of the table, I didn't eat anything and left.

By the way, in Japanese aesthetics, there is a concept called ma: the meaningful space between things. I believe mornings understand this idea particularly well.

Palm Leaves II, 2019

Imbue Print

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 162.6 × 111.8 cm (64 × 44 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

fotografie+, Rudolf Mangisch Galerie, Zurich, 2026

Last Summer, Bildhalle, Zurich, 2019

Publications

Imagine there were only Sundays, Steidl, 2026

Last Summer, Steidl 2021

Every artist has one specialty. It is quite obvious what I like. When I was young, my father said, “You could become famous for your palm trees.”

Frappuccino, 2003

C-Print

Edition of 1

Sheet 55 × 37 cm (21.7 × 14.6 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Publications

AISA – Images from an Imaginary Continent, Edition Judin 2005

Small Talk, Moscow, Russian Federation, 1990

Silver Print

Edition of 25 (plus 1 Artist's Proof)

Sheet 61 × 61 cm (24 × 24 in)

Publications

Look at Me, Edition Stemmle / Abrams Books 1999

Peony, 2003

C-Print

Edition of 1

Sheet 37 × 55 cm (14.6 × 21.7 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Publications

AISA – Images from an Imaginary Continent, Edition Judin 2005

Sparks, 2022

Imbue Print on Baryta paper

Edition of 8 (plus 3 Artist’s Proofs)

Sheet 71 × 56 cm (28 × 22 in)

Exhibitions

Art Salon, Bildhalle, Zurich, 2022

Runway, 2004

C-Print

Edition of 1

Sheet 55 × 37 cm (21.7 × 14.6 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Publications

AISA – Images from an Imaginary Continent, Edition Judin 2005

Apalazzo Gazzetta, Apalazzogallery 2018

Reflection of Palm Trees, 2007

C-Print on Fujicolor Crystal Archive Paper

Edition of 3 (plus 1 Artist’s Proof)

Sheet 126 × 164 cm (49.6 × 64.6 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Splash, Camera Work, Berlin, 2013/2014

Bildhalle, Art Salon, Zurich, 2022

Publications

Splash, Steidl 2014

Cherry, 2019

Imbue Print

Edition of 8 (plus 2 Artist’s Proofs)

Sheet 51 × 40.2 cm (20.1 × 15.8 in)

Exhibitions

Last Summer, Bildhalle, Zurich, 2019

Publications

Last Summer, Steidl 2021

Ferris Wheel, 2010

Imbue Print

Edition of 5 (plus 1 Artist’s Proof)

Sheet 144.8 × 111.8 cm (57 × 44 in)

Exhibitions

Splash, Camera Work, Berlin, 2013/2014

Splash, Bildhalle, Zurich, 2017

Publications

Splash, Steidl 2014

Sleeping Crocodiles, Orlando, Florida, 1996

Silver Print

Edition of 25 (plus 1 Artist's Proof)

Sheet 50.8 × 61 cm (20 × 24 in)

Publications

Look at Me, Edition Stemmle / Abrams Books 1999

Julie, 2014

Color Print on Arches Vellum

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 152.4 × 101.6 cm (60 × 40 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Art Miami, Bildhalle, Miami 2024

Bildhalle, Art Salon, Zurich, 2022

Last Summer, Bildhalle, Zurich, 2019

Publications

Imagine there were only Sundays, Steidl, 2026

Last Summer, Steidl 2021

After a flying lesson, I met Julie at the restaurant of the Oakland airport. A few months later, while visiting my parents in Switzerland, she called me. We drove to the countryside to go for a walk, with the intention of my photographing her. Suddenly, the shadows in the forest asked for an intimacy to be remembered. I never saw Julie again.

White Carnations, 2022

Imbue Print on Baryta paper

Edition of 8 (plus 3 Artist’s Proofs)

Sheet 50 × 39.5 cm (19.7 × 15.6 in)

Exhibitions

Art Salon, Bildhalle, Zurich, 2022

Cotton Candy, 2021

Imbue Print on Baryta paper

Edition of 8 (plus 3 Artist's Proofs)

Sheet 102.4 × 72.4 cm (40.3 × 28.5 in)

Exhibitions

Art Salon, Bildhalle, Zurich, 2022

Waitresses, K'ut'aisi, Georgia, 1990

Silver Print

Edition of 25 (plus 1 Artist's Proof)

Sheet 61 × 50.8 cm (24 × 20 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Look at Me, Edition Stemmle / Abrams Books 1999

Palm and a Palm Leaf, 2019

Imbue Print on Baryta paper

Edition of 8 (plus 2 Artist’s Proofs)

Sheet 71 × 56 cm (27.9 × 22 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Last Summer, Bildhalle, Zurich, 2019

Bildhalle, Art Salon, Zurich, 2022

Publications

Imagine there were only Sundays, Steidl, 2026

Last Summer, Steidl 2021

Barbara with Cow, Pfannenstiel, Switzerland, 1996

Silver Print

Edition of 25 (plus 1 Artist's Proof)

Sheet 61 × 50.8 cm (24 × 20 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Look at Me, Edition Stemmle / Abrams Books 1999

Apalazzo Gazzetta, Apalazzogallery 2018

Sierra Sunrise, 2004

C-Print on Fujicolor Crystal Archive Paper

Edition of 3 (plus 1 Artist's Proof)

Sheet 126 × 182 cm (49.6 × 71.7 in)

Exhibitions

Paris Photo, Grand Palais, Paris, 2013

Splash, Camera Work, Berlin, 2013/2014

Publications

Splash, Steidl 2014

Midnight Flight, 2008

C-Print on Fujicolor Crystal Archive Paper

Edition Special Tokyo of 5 (plus 2 Artist's Proofs)

Sheet 71 × 56 cm (28 × 22 in)

Exhibitions

Art Salon, Bildhalle, Zurich, 2022

Splash, Camera Work, Berlin, 2013/2014

Splash, Bildhalle, Zurich, 2017

Paris Photo, Grand Palais, Paris, 2013

Tokyo Photo 5, Tokyo, 2013

Publications

Splash, Steidl 2014

Fata Morgana, 2020

Imbue Print on Baryta paper

Edition of 8 (plus 3 Artist’s Proofs)

Sheet 102.4 × 80 cm (40.3. × 31.5 in)

Exhibitions

Art Salon, Bildhalle, Zurich, 2022

Shark, 2010

C-Print on Fujicolor Crystal Archive Paper

Edition of 3 (plus 1 Artist’s Proof)

Sheet 126 × 182 cm (49.6 × 71.1 in)

Exhibitions

Splash, Camera Work, Berlin, 2013/2014

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Splash, Bildhalle, Zurich, 2017

Publications

Splash, Steidl 2014

Man with a Mask, New York City, 1988

Silver Print

Edition of 25 (plus 1 Artist's Proof)

Sheet 50.8 × 61 cm (20 × 24 in)

Publications

Look at Me, Edition Stemmle / Abrams Books 1999

Below the Surface, 2007

C-Print on Fujicolor Crystal Archive Paper

Edition Special Tokyo of 5

Sheet 71 × 56 cm (28 × 22 in)

Exhibitions

fotografie+, Rudolf Mangisch Galerie, Zurich, 2026

Splash, Camera Work, Berlin, 2013/2014

Paris Photo, Grand Palais, Paris, 2013

Tokyo Photo 5, Tokyo, 2013

Bildhalle, Art Salon, Zurich, 2022

Publications

Splash, Steidl 2014

Hotel Le Dune, 2007

Imbue Print

Edition of 5 (plus 3 Artist's Proofs)

Sheet 145.2 x 111.8 cm

Night Sky, 2020

Imbue Print on Baryta paper

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 136 × 197.7 cm (53.5 × 77.8 in)

Exhibitions

fotografie+, Rudolf Mangisch Galerie, Zurich, 2026

Art Salon, Bildhalle, Zurich, 2022

Crow, 2010

C-Print on Fujicolor Crystal Archive Paper

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 71 × 56 cm (28 × 22 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Splash, Bildhalle, Zurich, 2017

Splash, Camera Work, Berlin, 2013/2014

Publications

Imagine there were only Sundays, Steidl, 2026

Splash, Steidl 2014

In mythology, crows have long been entrusted with inconvenient responsibilities. They are expected to carry messages between worlds, announce change, or reveal uncomfortable truths.

This particular crow appears indifferent to its assignment. I sat on the terrace of my hotel in Trivandrum, Southern India, having breakfast when it landed in front of me. Surrounded by blossoms, it reminds me how eagerly we assign meaning to things that are merely being themselves. Yet, any small incident can be considered magic.

Vacuum Hose, 2019

C-Print

Edition of 5 (plus 2 Artist’s Proofs)

Sheet 162.6 × 111.8 cm (64 × 44 in)

Exhibitions

Last Summer, Bildhalle, Zurich, 2019

Publications

Last Summer, Steidl 2021

Escalator, 1999

Imbue Print

Edition of 5 (plus 3 Artist’s Proofs)

Sheet 111.8 × 162.6 cm (44 × 64 in)

Florian's Mustang, 1999

Imbue Print mounted on Dibond

Edition of 5 (plus 3 Artist’s Proofs)

Sheet 162.6 × 111.8 cm (64 × 44 in)

Peanut, 2001

Imbue Print

Edition of 5 (plus 3 Artist’s Proofs)

Sheet 144.8 × 111.8 cm (57 × 44 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

fotografie+, Rudolf Mangisch Galerie, Zurich, 2026

Over Oyster, 2023

Oil on canvas

Framed 92.5 x 72.7 x 4 cm (36.4 x 28.6 x 1.6 in)

Exhibitions

Mikrokosmos - Entdeckungen jenseits des Blickes, Gallery KOKO, Rottach-Egern, 2026

I never liked the idea of an oyster. It doesn't look appealing, whether open or closed. It looks like an ugly stone. Miraculously, over the centuries, a restaurant found a stage for them. Presenting them as if they were diamonds. An oyster waits for a lemon like flowers wait for water. One may also suggest that an oyster needs moisture.

Like most young people, I never imagined eating even one of them. One day, I walked from my studio on Prince Street in New York to a restaurant called Balthazar. Just to impress my guest, I ordered a dozen of them. I was thirty-three and called it the year of Jesus (he died at thirty-three). And suddenly, I enjoyed slurping these creepy things.

Good Heavens, 2023

Oil on canvas

Framed 198.5 × 198.5 × 5.2 cm (78.1 × 78.1 × 2 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Coincidences, Grisebach, Berlin, 2023

Publications

Imagine there were only Sundays, Steidl, 2026

Somewhere along the emergence of Los Angeles becoming a city, someone decided that roads need palm trees. Not one or two, but enough to create a sense of feeling welcomed. I like the optimism of that decision. Especially because the stem of this particular palm tree is tall enough to speak to the dream that this city was built on, precisely to become the epicenter of the entertainment industry. Maybe just for its light and stability in weather.

The wide and endless boulevards serve as a metaphor for the destiny of talent. Above it, a cloud seems to ask every resident and dreamer one question: did you make it, and if so, are you happy?

Mammoth, 2002

Oil on canvas

Framed 92 × 122 × 5.3 cm (36.2 × 48 × 2 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

Snow has a talent for adjusting proportions. Mountains become hills, distances become estimates.

Ordinarily, the ski lifts stop in the early evening, around 4:15 pm. I enjoy standing at the top of the mountain at dusk when everyone else has left. One day, when everything was so quiet I could only hear my own breathing, a stylish woman with perfect hair, probably American, passed me. Suddenly I heard nothing but her elegant swinging through the snow.

Sirocco, 2023

Oil on canvas

Framed 174 × 304 × 5.5 cm (68.5 × 120 × 2.2 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

I find wind difficult to paint. Also, no one has ever asked for it.

Trees are cooperative. Wind prefers to remain anonymous. It reveals itself only indirectly, in the moving clouds and pale traces left across the ground.

When I'm driving to my house at Monte Argentario, a line of pine trees crosses the Via Aurelia freeway. I have seen it in every light possible and always meant to stop and photograph it. But I never did. I don't think one can capture nature with a camera, our eyes make better art.

By the time the painting was finished, the wind had moved on, leaving only a few shadows. I have always admired visitors who know when to leave.

Pool at Dawn, 2023

Oil on canvas

Framed 124 × 164 × 6 cm (48.8 × 64.6 × 2.4 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

In my art, I have always felt drawn to swimming pools. They promise company, laughter and relief, yet are often at their most beautiful when no one is there.

A pool at night feels like a stage after the performance has ended. Or a restaurant when the guests have left. The water luminous, not asking anything of you. It simply waits. For the next first dive, the morning sun. Some places rest in peace.

Monte Argentario, 2022

Oil on canvas

Framed 198.5 × 198.5 × 5.2 cm (78.1 × 78.1 × 2 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

Los Angeles III (pale turquoise), 2002

Oil on canvas

Framed 126 × 95 × 5.3 cm (49.6 × 37.4 × 2 in)

Cadillac, 2002

Oil on canvas

Framed 126 × 95 × 5.3 cm (49.6 × 37.4 × 2.1 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Palm Desert, 2002

Oil on canvas

Framed 122 × 244 × 6 cm (48 × 96.1 × 2.4 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Publications

Apalazzo Gazzetta, Apalazzogallery 2018

Bel Air Country Club, 2002

Oil on canvas

Framed 96 × 126 × 6 cm (37.8 × 49.6 × 2.4 in)

Every country has its traditions. In the Anglo-Saxon territories, clubs are an important part of privileged society. Personally, I never aspired to be part of one. I always feared I'd misbehave. And the few times I did try proved I was right.

In my late twenties, through a friend, I became part of the Mulholland Tennis Club. Playing a few balls there during sunset is one of my favorite memories of my time living in America. My playing partner was Marc Forster, who later became a well-known director of movies such as Monster's Ball and Finding Neverland.

Of all things designed by man, I enjoy the aesthetic of a golf course and tried to capture it from a Bird’s-eye view.

Freeway, 2002

Oil on canvas

Framed 125 × 95 × 5.4 cm (49.2 × 37.4 × 2.1 in)

Publications

State of Mind, Nieves 2014

Seagulls, 2023

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

It's quite annoying to admit, but I'm sensitive to almost everything I observe. Maybe that's why I don't fit into most parameters of society. Seagulls are different. They can mingle in a crowd as if nothing matters. Whenever I would leave a premise in Porto, it seemed as if they wanted to surprise me. Or scare me. That we don't know.

Back in the hotel, I made a sketch of it, which I later turned into a painting. One of the most interesting facts about art to me is how every motif naturally asks for its size. And how size requests the appropriate distance from the viewer.

Hippopotamus, 2024

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

When I was a child, there weren't many choices about where to go. My life unfolded largely in an adult world. Both of my parents worked a great deal, and my brother and I were looked after by an extended tribe of family members and employees from my father's company.

One of the places they took me was the zoo in Zurich. I would always head straight for the mid-century hippopotamus house. There we visited the mother hippo and her baby, resting in a pool improbably close to the edge of their enclosure. All you could see were their ears, playfully wiggling above the surface. It almost became a ritual to wait, hoping one of them would emerge from the basin. Sometimes one did.

Once I dreamt of my old friend standing in the desert beneath a full moon, adjacent to two palm trees. I've rarely spoken about this, but my godfather, Federico Fellini, taught me a few things, not least about dreams. He used to say, "dreams are the only honest form of communication."

Just hanging around, 2023

Oil on canvas

Framed 174 × 304 × 5.5 cm (68.5 × 120 × 2.2 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Evergreen, 2022

Oil on canvas

Framed 134 × 101 × 3.5 cm (52.8 × 39.8 × 1.4 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

A room without a plant often seems lonely. A room with too many plants feels fake. Not every plant likes its environment.

Without thinking of cubism, but thinking of cubism, this work became one of my greatest inspirations to achieve what an artist can't explain. How can something develop genuinely without an intention? It is the unprecedented privilege of what I would call 'the moment'. Apologies, maybe it was impressionism after all.

Bouquet on Green, 2026

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Pink Floyd Roses in a white vase, 2025

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Roses, 2025

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

Roses and lemons are constant companions, both at home and in my studio. When I see flowers, I feel calm, which is usually not my state of mind. Lemons, like cherries, make me happy. And if saying so disappoints peaches and basil, I should add that they have much of the same effect.

Untitled, 2025

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Blue Polen, 2025

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Wild Poppy, 2025

Oil on canvas

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Artist Dilemma, 2010

Watercolor on cold-pressed paper

Sheet 46 × 61 cm (18.1 × 24 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Can we talk?, 2021

Ballpoint pen and pencil on paper

Sheet 14.8 × 10.5 cm (5.8 × 4.1 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

Eight Friends Series I - VIII (Diptych), 2012

Ballpoint pen, pencil and Indian ink pen on paper

Sheet 14.8 × 10.5 cm (5.8 × 4.1 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Goodbye, 2010

Watercolor on cold-pressed paper

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Chicken Family, 2014

Pencil on maculature paper

Sheet 30 × 21 cm (11.8 × 8.3 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

No thanks, I'm fine, 2022

Ballpoint pen on paper

Sheet 14.9 × 10.1 cm (5.9 × 4 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

Six Palm Trees in Red and Blue, 2009

Color pencil on paper

Sheet 30 × 21 cm (11.8 × 8.3 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Rabbit? No, Devil., 2014

Ballpoint pen and Indian ink pen on paper

Sheet 21 × 15 cm (8.3 × 5.9 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Man interested in Woman, 2022

Ballpoint pen on Restaurant Kronenhalle's contact form

Sheet 21 × 14.8 cm (8.3 × 5.8 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

The Artist and his Admirers, 2005

Ballpoint pen and permanent marker on watercolor paper

Sheet 35 × 43 cm (13.8 × 16.9 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

A portion, 2012

Ballpoint pen on paper doiley

Sheet ⌀ 15 cm (⌀ 5.9 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Old School, 2013

Color pencil on paper

Sheet 14.8 × 10.5 cm (5.8 × 4.1 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Publications

Imagine there were only Sundays, Steidl, 2026

State of Mind, Nieves 2014

The Shepherd, 2006

Ballpoint pen on watercolor paper

Sheet 50 × 65 cm (19.7 × 25.6)

Publications

State of Mind, Nieves 2014

Bird Acrobats, 2014

Pencil and Indian ink pen on drawing paper

Sheet 30 × 21 cm (11.8 × 8.3 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Still Life with Lotus, Lemon and Longan, 2007

Indian ink pen on cold-pressed paper

Sheet 70 × 50 cm (27.6 × 19.7 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Minotaur, Eve and Snake, 2007

Ballpoint pen and pencil on watercolor paper

Sheet 40 × 50 cm (15.7 × 19.7 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

Publications

State of Mind, Nieves 2014

Red Nude, 2007

Grease pencil on paper

Sheet 21 × 30 cm (8.3 × 11.8 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Strangers, 2012

Color pencil on paper

Sheet 14.8 × 10.5 cm (5.8 × 4.1 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Men on Art, 2016

Bicolor and pencil on paper

Sheet 21 × 14.8 cm (8.3 × 5.8 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

There are few colleagues whom I admire for their drawings. It's not so much about if you can draw, it's more about if you allow yourself to make a drawing. I suppose anyone can make one. It doesn't require education, which makes it a playground for any kind of surprise.

Three Flowers in a Vase, 2023

Watercolor on cold-pressed paper

Sheet 39.7 × 29.9 cm (15.6 × 11.8 in)

Exhibitions

Mikrokosmos - Entdeckungen jenseits des Blickes, Gallery KOKO, Rottach-Egern, 2026

Still Life with Buttercups, 2022

Watercolor on cold-pressed paper

Sheet 60.6 × 45.5 cm (23.9 × 17.9 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

August, 2011

Watercolor on cold-pressed paper

Sheet 107 × 78 cm (42.1 × 30.7 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Little Panda, 2007

Watercolor on cold-pressed paper

Sheet 51 × 67 cm (20.1 × 26.4 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Blue Plant, 2020

Watercolor on Conservation Board

Sheet 120 × 80 cm (47.2 × 31.5 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

Udaipur, Rajasthan, 2010

Watercolor on cold-pressed paper

Sheet 61 × 46 cm (24 × 18.1 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Three Flowers in a Vase, 2023

Watercolor on cold-pressed paper

Sheet 39.7 × 29.9 cm (15.6 × 11.8 in)

Exhibitions

Coincidences, Grisebach, Berlin, 2023

Sabaudia II, 2005

Watercolor and pencil on cold-pressed paper

Sheet 61 × 45 cm (24 × 17.7 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Artist Dilemma, 2010

Watercolor on cold-pressed paper

Sheet 46 × 61 cm (18.1 × 24 in)

Exhibitions

Paintings, Drawings and Photographs, Apalazzogallery, Brescia, 2018

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Landscape near Fiumicino, 2012

Watercolor on cold-pressed paper

Sheet 110 × 75 cm (43.3 × 29.5 in)

Exhibitions

Reasons and Seasons, Villa Flor, S-chanf, 2018

State of Mind, Villa Flor, S-chanf, 2014

Sunny-side up, 2010

Watercolor on drawing paper

Sheet 61 × 46 cm (24 × 18.1 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Summer Flirt, 2009

Collage with watercolor and printouts

Sheet 50 × 40 cm (19.7 × 15.7 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Red Palm in Lotus Garden, 2007

Color pencil and watercolor on cold-pressed paper

Sheet 70 × 50 cm (27.6 × 19.7 in)

Exhibitions

State of Mind, Villa Flor, S-chanf, 2014

Publications

State of Mind, Nieves 2014

Bird Series No. 3: Two little birds not knowing any better, 2007

Watercolor on cold pressed paper

Sheet 50 × 70 cm (19.7 × 27.6 in)

One Moment in Ilulissat, 2008

Silkscreen printed on Arches Velin BFK Rives, 400gsm

Edition 1/1

Sheet 160 x 120 cm (63 x 47.2 in)

Soy Fish, 2022

Plastic with high gloss lacquer

Edition 8 of 25 (plus 5 Artist's Proofs)

Object 49.5 × 70 × 16 cm (19.5 × 27.6 × 6.3 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Mikrokosmos - Entdeckungen jenseits des Blickes, Gallery KOKO, Rottach-Egern, 2026

Publications

Imagine there were only Sundays, Steidl, 2026

Rocket Bouquet, 2022

Plastic with high gloss lacquer

Edition of 8 (plus 3 Artist's Proofs)

Object 110 × 70 cm (43.3 × 27.6 in)

Exhibitions

Imagine there were only Sundays, Galerie Kornfeld, Bern, 2026

Mascot, 2023

Cardboard inlay on bubble wrap

Edition 8 of 25 (plus 5 Artist's Proofs)

Sheet 35 x 26.9 cm (13.8 x 10.6 in)

Coming soon

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